The first cold night in the new studio! This design was sketched in the deserts of the Kimberly last year. Unlike painting, silk screening pushes me to condense an object/image into its most concentrated form. Stripped of tones, and shadows in the conventional sense, how do you convey these things to the eye while forcing the paint through the lens of a template? I experimented last night with marbling the paint to create movement in these otherwise flat objects and the design uses negative space to offer relief, and the suggestion of reflected light, from the outlined shape. In the cold of the art cave it was good to reconnect with the warmth of the Kimberly!